The portrait of the margins in the proletarian city. Writers and artists crossed by the avant-garde and anti-fascism on the Rosario stage of the 1930s

Abstract

This article proposes to address some cultural experiences crossed by the influence of the avant-garde in the artistic and literary plane, articulated to anti-fascism as a political perspective of intellectuals during the thirties in Rosario. They were experiences that spawned a series of practices characterized by the political commitment of intellectual activity, the will to bear witness to the political drama and, particularly, with an eye toward the margins of the proletarian city.